A film by Jonas Ulrich, featuring Bartosz Bielenia (Corpus Christi) and Selma Kopp, with a soundtrack including Amenra, Oathbreaker, Darkspace and others.

“Roffadamn Jungle” is a release by Mike Redman, Dutch breakcore, jungle and hardcore producer also known for his solo project Deformer, his collaboration project Voodoom with Jason Köhnen aka Bong-Ra, and Wormskull, a trio with Köhnen and drummer Balázs Pándi, merging UK jungle pressure with Rotterdam hardcore intensity and featuring remixes from key figures in the drum & bass and hardcore scenes including Bizzy B, Ed Rush, Akira, Rotterdam Terror Corps and Mackadena.

After two co-headling tours over the past decade, (the) Melvins are continuing their long tradition with us of teaming up with another band on an album.

“Dark Gummi Rising” is an album by Maladroit, Australian breakcore mashup producer and member of the System Corrupt collective, a Sydney-based sound system and label active in the early 2000s, known for organizing free parties and releasing music between 2001 and 2006.

One of the hardest working and determined bands in the underground today, Magrudergrind is primed to kick ass and take names on their sophomore full-length release.

Kali Malone and Drew McDowall present Magnetism, their first collaborative album born from a decade-long friendship and ignited by a single day of creative synergy.

Clash of the Titans is a release by LFO Demon and FFF, key figures of the early breakcore and hardcore scene, active across the Berlin and Rotterdam underground, known for mutating breakcore, jungle, rave and raggacore, originally released through Sprengstoff Recordings as part of the Clash of the Titans series.

Less are another vehicle for the considerable talents of underground wordsmith John Dillinger, better known as charismatic frontman with A.O.S.3 and South London Anarcho activists P.A.I.N.

'The Pyre: Versions Distilled To Stereo' is an album by KTL, duo of Stephen O’Malley (Sunn O))), Ideologic Organ) and Peter Rehberg.

Japanese progenitor of sharp pure tone experimental guitar noise teams up with Hungarian drumming powerhouse for an album full of high level improvisational dialogue performance.

'Amen / Lighta' is a release by Killahman Machine, alias of Jason Köhnen (Bong-Ra), Dutch breakcore producer and DJ active since the late 1990s, known for mutating ragga, jungle, hardcore and experimental electronic styles.

'My lord Music, I most humbly beg your indulgence in the hope that you will do me the honour of permitting this seed called Keiji Haino to be planted within you' is an album by Keiji Haino, Japanese experimental musician known for solo work and projects such as Fushitsusha, working across free improvisation, noise and psychedelic performance practice since the 1970s.

Ridiculous and Full of Blood is an album by Julie Christmas, Brooklyn-based vocalist known from Made Out of Babies and Battle of Mice, and for collaborations with Cult of Luna and other post-metal and noise rock projects.

Black Origami is the second album by Jlin, released in 2017 through Planet Mu.

Mosquito Control is the debut EP by ISIS, post-metal pioneers.

Deliverance And Spiritual Warfare is the debut album by Holy Tongue, expanding from the studio project of Al Wootton and Valentina Magaletti into a full band with Susumu Mukai, exploring everything from Andalusian marches and dub to post‑punk, jazz‑tinged percussion, and techno, with guests like Steve Beresford on prepared piano and Abraham Parker and David Wootton on brass.

In the harbour town of Rijeka, Croatia a small group of lovers of fast food and the local cuisine has given birth to a surrealistic monster which they have named Hesus Attor.

'A World Lit Only by Dub' is the second remix album by Godflesh, turning tracks from 'A World Lit Only by Fire' into heavy, dub‑infused industrial experiments, released on Justin Broadrick’s Avalanche Recordings to mark the original album’s tenth anniversary.

Forever, I’ve Been Being Born is the fifth album by Seattle alt‑country collective Jesse Sykes And The Sweet Hereafter, blending melancholic folk, Americana, and cinematic guitar textures.

The Director’s Cut is the second album by experimental metal supergroup Fantômas, turning classic horror and TV themes into chaotic, genre‑bending noise where Mike Patton’s voice, Dave Lombardo’s drums, Buzz Osborne’s guitar and Trevor Dunn’s bass collide in unpredictable, cinematic madness.