Kali Malone and Drew McDowall present Magnetism, their first collaborative album born from a decade-long friendship and ignited by a single day of creative synergy.

'The Pyre: Versions Distilled To Stereo' is an album by KTL, duo of Stephen O’Malley (Sunn O))), Ideologic Organ) and Peter Rehberg.

'My lord Music, I most humbly beg your indulgence in the hope that you will do me the honour of permitting this seed called Keiji Haino to be planted within you' is an album by Keiji Haino, Japanese experimental musician known for solo work and projects such as Fushitsusha, working across free improvisation, noise and psychedelic performance practice since the 1970s.

Forever, I’ve Been Being Born is the fifth album by Seattle alt‑country collective Jesse Sykes And The Sweet Hereafter, blending melancholic folk, Americana, and cinematic guitar textures.

On Dark Horses is the fourth studio album by American singer-songwriter Emma Ruth Rundle

Syro (/saɪroʊ/) is a 2014 studio album by British electronic producer Richard D. James, released under his Aphex Twin alias via Warp Records.

Clubroot (II – MMX) is the 2010 second album by UK dubstep/electronic producer Clubroot (Dan Richmond), blending deep, brooding bass, ambient textures and UK garage‑inflected rhythms into a dark, immersive soundscape rooted in early dubstep aesthetics.

‘But Remember What You Have Had’ is a longform electroacoustic work by Stephen O’Malley, the SUNN O))) co-founder and composer known for bridging drone metal, modern composition, and experimental sound, unfolding as a dense, multiphonic exploration of texture, timbre, and sustained tonal structures.

‘Cloud Chamber’ is the second album by Boris, a Japanese experimental rock band known for blending drone, sludge, psychedelic, and ambient music, originally released in 2008 and now reissued digitally as part of the 20th-anniversary series for their 2006 album Rainbow.

‘Alta Ripa’ is the fourth studio album by Berlin-based electronic artist Ben Lukas Boysen, also known as Hecq, whose genre-blending compositions mutate ambient, IDM, and experimental techno into immersive, textured soundscapes.

“Avàvâgo Zamran!” marks a new ritual transmission under the name ARROKOTH, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries.

‘Amber’ is the second studio album by Autechre, widely regarded as a classic of the IDM genre and frequently featured on lists of the greatest electronic albums.

Nomark Selects, V.2 is a curated collection of experimental and genre-defying tracks from his Nomark catalog, showcasing his signature blend of intricate sound design and boundary-pushing electronic music.

Alliance is a collaborative album recorded by Andy Bell (Ride, former Oasis bassist) under the name GLOK and Timothy Clerkin, the producer who runs the Insult to Injury record label.

Ruò Tán 若潭 is a musician from China who runs WV Sorcerer Productions.

RR7349 is an album by experimental synth duo S U R V I V E, known for their work on the Stranger Things soundtrack.

After two years in the making, Wyatt E. seals their long awaited return in 2025 with the highly anticipated narrative sequel to āl bēlūti dārû, zamāru ultu qereb ziqquratu Part 1, Music from inside the Ziggurat, is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.

Scorn is the project of Mick Harris of Napalm Death, Painkiller, Lull, and Quoit.

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The album includes a few short stories written by Subheim during the album development which functioned as guiding lights for some of the tracks.