Ulver’s 'Neverland'
- Bad
- Jan 25
- 1 min read
Updated: Feb 21
Neverland, the fourteenth studio album by Ulver, is the sound of an escape. A journey into undiscovered lands.
Following three albums – The Assassination of Julius Caesar (2017), Flowers of Evil (2020), and Liminal Animals (2024) – rooted in more traditional song and production structures, Neverland marks a new chapter in the revered Oslo band’s history.
“With Neverland we embraced a more ‘punk’ spirit – more dreaming, less discipline – freer, quite simply”, the band comments on the creative process behind the album.
Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.
Apart from a few recurring distant voices and vocal chops, Neverland is a largely instrumental record, reminiscent of the mood and structure of that place where late ’90s IDM sounds met the meandering structures of post-rock. The ghost of premillennial sample culture surely haunts Neverland, and some might even hear echoes from earlier acclaimed works like Perdition City (2000), or the Silence EPs (2001), or more recently ATGCLVLSSCAP (2016).
Still, Neverland sounds and feels like something else, something fresh in Ulver’s continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It’s up to you.
Tore Engelsen Espedal, Oslo, October 2025
Artist: Ulver
Album: Neverland
Label: House of Mythology
Year: 2025
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